| Education | |
| M. A. Long Island University, Brooklyn, New York, 1977 | |
| B.A. Mercy College, Dobbs Ferry, New York, 1976 | |
| Etching, Silkscreen, San Fernando University, Madrid, Spain, 1972 | |
| Philosophy, Oriene University, Santiago de, Cuba, 1955 | |
| Teacher, Educational School, Bayamo, Cuba, 1954 | |
| 1993 | The Oscar B. Cintas Fellows Foundation. International Institute of Education. |
| Selected Solo Exhibitions | |
| 2008 | Silliness, Photography, Signature Gallery, Miami, Fl. |
| Each Time is Now, Signature Gallery, Miami, Fl | |
| 2006 | Dibujo en Dos Tiempos, Museo Francisco Goitía, Zacatecas, México |
| 2005 | Cada Vez es Ahora, Museo de Arte Contemporáneo, Aguascalientes, México |
| Gladys Triana, New Photography, Alfred Lerner Hall, Columbia University, New York | |
| 2004 | Confluencias, Cada vez es Ahora, Museo de la Ciudad, Querétaro, México |
| Confluencias, Cada vez es Ahora, Centro Cultural Casa El Diezmo, Celaya, México | |
| 2003 | Cada Vez es Ahora, Centro Cultural Recoleta, Buenos Aires, Argentina |
| Confluencias, Centro Cultural El Palillero, Ayuntamiento de Cádiz, Cádiz, España | |
| 2000 | Movement-Transformation, Drawings, Intar Gallery, New York |
| 1997 | Jeux de Mémoire, Espace Nesle, Paris, France |
| Gladys Triana Paintings, Konstcentrum I, Ronneby, Sweden | |
| Acuarelas, Pinturas y Libros, Trapecio Gallery, Lima, Peru | |
| 1995 | The Path to Memory, The Island, Installation, Bronx Museum of the Arts, New York |
| 1991 | El Camino de la Memoria, El Laberinto, Museo de Arte Moderno, Santo Domingo, Republica Dominicana |
| Gladys Triana, Galeria Nader, Fine Arts, Santo Domingo, Republica Dominicana | |
| 1990 | Gladys Triana, Movement-Transformation, Collages, Museum of Contemporary Hispanic Art, New York |
| 1988 | Gladys Triana Drawings and Paintings, Cuban Museum of Art and Culture, Miami, Florida |
| 1975 | Drawings by Gladys Triana, Intar Gallery, New York |
| 1974 | Gladys Triana, Drawings and Paintings, Sarduy Gallery, New York |
| 1971 | Abstracciones, Galeria Tramontana, Madrid, Spain |
| 1964 | Naturalezas Muertas, Ateneo de Marianao Gallery, Habana, Cuba |
| 1963 | Dibujos y Pinturas, Galeria El Lyceum, Habana, Cuba |
| 1962 | Gladys Triana, Pinturas, Galeria El Lyceum, Habana, Cuba |
Selected Group Exhibitions |
|
| 2008 | Terapia de Grupo, Galeria Fernando Pradilla, Madrid, Spain Yearnings and Reality, Sutton Art Gallery, New York Latin American Masters from the Ulla and Greger Olson Collection at Stora Frosunda SAS Institute, Sweden. Reflections Contemporary Cuban Art, Silvermine Guiad Arts Center, New Canaan, Conneticut |
| 2007 | Cuban Americans in Focus, a photography exhibition from the Lehigh University Collection in Kean University Gallery CAS, Union, New Jersey |
| 2006 | Latinoamerican Photography II: Selection from the LUAG Collection, Arts Center, Zoellner Main Gallery, Lehigh University Arts Galleries, Bethlehem, PA |
| Layers: Collecting Cuban-American Art , University at Buffalo Art Gallery/Center for the Arts, College of Arts and Sciences, Buffalo, New York | |
| 2004 | III ES 2004 Tijuana/Biennial International of Standards, Bienal Internacional de Estandartes, Centro Cultural de Tijuana, Tijuana, México; traveled to the Festival Cervantino, Cancha de Cristal, Universidad de Guanajuato; México |
| Discovery: New and Emerging Photography-Six New Visions, Siegel Gallery, Iaccoca Hall, Lehigh University Art Galleries, Bethlehem, Pennsylvania | |
| 2003 | Open ev+a 2003, Limerick City Gallery of Art, Limerick, Ireland |
| Contemporary Cuban Art, Universidad de Miami at Casa Bacardi Gallery, Miami, Florida | |
| Contemporary Cuban Art in New York, Bill Maynes Gallery, Chelsea, New York | |
| Salida de Emergencia, Arte Cubano en el Exilio, Centro Cultural El Palillero Ayuntamiento de Cádiz, Cádiz, Spain | |
| 2002 | Contemporary Cuban Art in New York, Bill Maynes Gallery, Chelsea, New York |
| Snapshot, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut | |
| Sobre Papel: Obras de Artistas Hispanoamericanos, Agustín Gainza Fine, Miami, Florida | |
| Cuban Art & Latin-American Art, University of Miami. Florida | |
| 2001 | Proyecto Emigrantes, Centro de Arte Moderno, Quilmes, Argentina |
| 2000 | Snapshot, Contemporary Museum of Baltimore, Baltimore |
| 1999 | Prints by Latin American Masters, from the Ulla and Greger Olsson |
| Art Collection, Brussels, Château d’Argenteuil, Waterloo, Belgium | |
| 1998 | Latin American Artist at the End of the Century, Latino Arts Festival ’98 |
| Queens Theater in the Park, Queens New York | |
| Breaking Barriers; Selection from the Museum of Art’s Permanent Contemporary Cuban Collection, Tampa, Florida | |
|
Museum of Art, Tampa, Florida, SNITE Museum of
Notre Dame University, Indiana., Latin American Art Museum, Long Beach, California |
|
| 1997 | Crossing Border: Contemporary Art by Latin American Women, College of New Rochelle, Castle Gallery, New Rochelle, New York |
| Talk Back! The Community responds to the Permanent Collection, The Bronx Museum of The Arts, Bronx, New York | |
| 1996 | Latin American Book Arts, Mexico-Arte Museum, Austin, Texas |
|
Nine Cuban American Artists, Kingsborough
Community College, Art Gallery, Brooklyn, New York |
|
| 1995 | Latin American Book Arts, Center for Book Arts, New York, (traveling exhibit) |
| The Papertrail Gallery, National Library of Canada, Otawa, Canada | |
| The Papertrail Gallery, Center for Book Arts. Minnesota | |
|
Latin American Prints, Robert Blackburn
Workshop Collection, Museum of Modern Art, Santo Domingo, República Dominicana |
|
| 1994 | Symbols and Revelations, A Latin American Exhibit, Henry Street Settlement, New York |
| Gathering Medicine Exhibition, Art in General, New York | |
| 1993 | Miami Art-93, Convention Center, Gary Nader Gallery, Miami. Florida |
| Books-Three Approaches, Sotavento Gallery, Caracas, Venezuela | |
| Beyond the Boundaries, Women’s Caucus for Art, Insights Gallery, Seattle, Washington | |
| Books- Three Approaches, Marta Morante Gallery, New York | |
| Art Faculty Selection, Housatonic Museum of Art, Bridgeport, Connecticut | |
| 1992 |
Five Century after the
Collision: Five Contemporary Artist Vision,
The
Art Gallery, Brooklyn College, New York |
| 1492-1992 Un Nouveau Regard Sur les Caraibes, Espace Carpeaux, Paris, France | |
|
1492-1992 Una
nueva mirada al Caribe, Instituto de Cultura Puertorriquena, San Juan, Puerto Rico. |
|
|
1492-1992 Una
nueva mirada al Caribe Casa de Francia, Santo Domingo, Dominican Republic |
|
| 1991 |
African American and
Latino American from USA, Bellas Artes Museum, Santiago de Chile, Chile |
| 1990 | Awakening / Despertar, Discovery Museum, Bridgeport, Connecticut |
| Sculpture of the Americas into the Nineties, Museum of Modern Art of Latin America, Washington, DC | |
| Nineties, Museum of Modern Art of Latin America, Washington, DC | |
| China, June 4th, 1989, Asian American Art Center, Institute of Contemporary Art, P.S. 1. Museum of Long Island City, New York | |
| Lines of Vision: Drawing by Contemporary Women, Museo de Arte Contemporáneo, Sofia Imber, Caracas, Venezuela, Museo de Bellas Artes, Mexico, D. F., Mexico | |
| 1989 | China, June 4th, Asian American Center at Blum Helman Warehouse Gallery, New York |
| Earth, Wind & Fire, Straus Gallery, New York | |
| Lines of Vision: 100 Drawings by Contemporary Women,Hillwood Art Gallery, Long Island University, Bronsville. Blum Hellman Gallery, Soho, New York; traveled to Clara M. Eagle Gallery, Murray State University, Murray, KY; Grand Rapids Art Museum, Michigan; University Art Gallery, University of North Texas, Denton, Texas; Richard F. Beush Gallery, St Laurence University, Cantoa, NY; The University of Oklahoma, Museum of Art, Norman, OK; Albany Museum of Art, GA; traveled internationally to Museo de Bellas Artes, México City, México, to Museo de Arte Contempóraneo, Sofia Imber Caracas, Venezuela, Museo de Arte Moderno, Rio de Janeiro, Brazil | |
| International Biennial of Prints, Museum of Fine Arts, Bharat Bhavan, Bhopal, India | |
| 1988 | Latin American Graphic Arts Biennal, Museum of Contemporary Hispanic Art, New York |
|
Paper Vision II, Housatonic Museum, Bridgeport, Connecticut |
|
| Art of the Americas, International Gallery, Washington DC. | |
| 1987 | Imaginations and Inventions, Works on paper by four Latin American, Queens, New York |
| Contemporaneous, Bohio Gallery, New York | |
| Exposición – Subasta, Museo Cubano de Arte y Cultura, Miami, Florida | |
| 1986 | Sacred Secret, Todd Capp Gallery, New York |
| Hispanic Roots, Mills Pond House Museum, St. James, New York | |
| Two of the New, Museo del Barrio, New York | |
| 1985 | Trends, Museum of Contemporary Hispanic Art, New York |
| Inaugural Exhibit, Museum of Contemporary Hispanic Art, New York | |
| 1982 | Art Escandalar, Meeting Point Gallery, Miami, Florida |
| 1979 | New York Through Latin Eyes, Queens College, Art Gallery, Queens, New York |
| Group Installation: 7 Artists, Cayman Gallery, New York | |
| 1977 | The 7th Annual Exhibition, The Bronx Museum of the Arts, Bronx, New York |
| 1976 | Iman; New York, The Center for Inter-American Relation, New York |
|
Latin American
Exhibition,
Spanish-American Painters & Sculptures, Manufacture Hanover Bank, New York |
|
| Iman; New York, Instituto de Cultura Puertorriqueña, Museo de Arte, San Juan, Puerto Rico | |
| 1975 | International Panamerican Exhibition, Museum of Science, Chicago |
|
First & Second Cuban
Festival,
Cuban Cultural Center, Cathedral of St. John the Divine, New York |
|
| 1974 | Group Show, Cisneros Gallery, New York |
| 1972 | Inaugural Exhibit, Mecenas Gallery, Madrid, Spain |
| Premio de Pintura, Centro Cultural <Amigos de Segovia>, Segovia, Spain | |
| 1971 | Group Exhibit Sala de Arte Gallery. Madrid, Spain |
| Salon de Pinturas, Casa de Malaga, Madrid, Spain | |
| 1964 | Salon Nacional De Pintura y Escultura, Palacio de Bellas Artes, Habana, Cuba |
| Public Art Commissions | |
| 1972 | Homage to the Farmer, Iron Sculpture at Pamplona Airport Pamplona, Spain |
| 1967 | Design and Construction of Ceramic Lamps with Wood, commission by Instituto Nacional de la Industria Turistica, Habana, Cuba |
| 1966 | The Umbrella, mural in wood, metal, and sand, at Loipa Restaurante, commission by Instituto Nacional de la Industria Turistica, Habana, Cuba |
| Ephemeral Images, mural: oil on canvas, at Andes Restaurante, Habana, Cuba | |
| 1965 | Heritage and Roots, mural in wood at Habana Airport, commission by Instituto Nacional de la Industria Turistica, Habana, Cuba |
| 1964 | The Mystic Foliage, mural: oil and wood, at Cienfuegos Hotel, Cienfuegos, commission by Instituto Nacional de la Industria Turistica, Habana, Cuba |
| BIBLIOGRAPHY - Catalogues and Brochures(Selected) | |
| Maya Islas | |
| “Yearnings and Reality”, Gladys Triana, catalogue essay, ( New York: Sutton Art Gallery, Dec 2008) | |
| Omar Pascual Castillo | |
| “Tactiles” in Every Times is Now, brochure essay (Miami: Signature Gallery 2008) | |
| Omar Pascual Castillo | |
| “Gladys Triana”, brochure assay at Terapia de Grupo, (Madrid: Fernando Pradilla Gallery, February 2008) | |
| Ricardo Viera | |
| Layers: Collecting Cuban-American Art, from Lehigh University Art Gallery Collection, from on an interview by Lynnette Bosch in the catalogue essay, (University of Buffalo, The State University of New York, 2006) | |
| Julia Herzberg | |
| “Every Time, is Now”, catalogue essay, ( Buenos Aires: Centro Cultural Recoleta, 2003) | |
| Ricardo Viera | |
| “Gladys Triana’s Photography, in Every time, is Now”, catalogue essay, ( Buenos Aires: Centro Cultural Recoleta, 2003) | |
| Carlota Caulfield | |
| “Hands versed in Objects, in Every Time, is Now”, catalogue essay and poems, ( Buenos Aires: Centro Cultural Recoleta, 2003 | |
| Luis Carlos Emerich | |
| “Confluencias”, introducción del catálogo, (Cádiz: Centro Cultural El Palillero, 2003) España | |
| Virginia Pérez-Ratton | |
| “landing in limerick”, “Ev+a 2003, on the border of each other”, in a exhibition of visual art, (Limerick, City Gallery of Art, Carnegie Building, Perry Square”, Limerick) | |
| Zoé Valdés | |
| “Gladys Triana: comme le frolement furtif du flamboyan,” in Jeux de Memoire, brochure essay (Paris: Espace Nesle 1997). France | |
| Greger Olsson | |
| “Contemporary Latin American Art,” from The Ulla and Greger Olsson Contemporary Latin American Art Collection, catalogue introduction (Ronneby: Konstcentrum I, Sweden, 1997) | |
| Marisol Nieves | |
| “Exile and Reconstruction of Identity in the Art of Gladys Triana,” in The Path To The Memory, The Island, brochure essay (Bronx: The Bronx Museum of the Arts, 1995) | |
| Marianne de Tolentino | |
| “A Reading of Gladys Triana Painting,” in Gladys Triana, Dibujos, Pinturas e Instalación , catalogue essay (Santo Domingo: Museo de Arte Moderno, 1991 | |
| John Stringer | |
| “Gladys Triana Art, in Gladys Triana, Movement- Fragmentation”, catalogue essay (New York: Museum of Contemporary of Hispanic Art, 1990) | |
| Giulio V. Blanc | |
| Gladys Triana /Reynaldo Arenas, catalogue essay (Miami: Cuban Museum of Art and Culture, 1988) | |
| Magazines | |
| Adriana Herrera | |
| Gladys Triana, arte,al dia, International magazine of Contemporary Latin American (Printed in Argentina No 123, 2008), Reviews Section, page 116 | |
| Julia P. Herzberg | |
| “Gladys Triana” Art Nexus, No 55, Volumen 3 ( Columbia: Dec-Feb 2004-5) pp.150-151 | |
| Christine Frérot | |
| “Gladys Triana, Espace Nesle.” Art Nexus, No 25, (Colombia: July-Sept.1997). pp. 131-132 | |
| Mónica Amor | |
| “Gladys Triana.” Art Nexus, No 18, (Colombia: Oct.-Dec. 1995). pp. 127 | |
| Victor Zamudio Taylor | |
| “Latin American Book Arts,” Art Nexus, No 16 (Columbia: April-June, 1995). pp. 129 - 130 | |
| Edward J. Sullivan | |
| “The Latin-American Explosion.” Art News, (New York: Summer, 1993). pp.134 | |
| Grazziana La Roca | |
| “Ricardo Benaim, Claudia Bielinsky, Gladys Triana,”Art Nexus, No 6 (Columbia: July-Sept. 1993) | |
| Bélgica Rodriguez | |
| “Gladys Triana, Movement-Fragmentation”, Arte en Colombia, No 44 (Colombia: July- Sept.,1990) pp. 120 | |
| Encyclopedia & Books | |
| Gladys Triana, “La Sorpresa de la Palabra y la Línea” | |
| Haz de Incitaciones: Poetas y Artistas Cubanos Hablan, Edición de Jesus J. Barquet y Maricel Mayor Marzán (Miami: Ediciones Baquiana, 2003) p. 54-62 | |
| Gladys Triana, “Movimiento y Fragmentación | |
| testimonio de una artista exilada” Creación y Exilio, Memorias del I Encuentro International Con Cuba en la Distancia, Selección y Prólogo, Fabio Murrieta, (Madrid: Editorial Hispano Cubana, 2002) p. 268-2 Memoria, Cuban Art of the 20th Century, California/International Art Foundation (Los Angeles: 2002) p. 349 | |
| Díana Alvarez, “La huella y su imagen | |
| La contemporaneidad y la memoria en las artes plásticas cubanas en los Estados Unidos”.1902-2002 | |
| Centenario de la República de Cuba, (Miami: Ediciones Universal, 2002) | |
| Robin Kahn, “Time Capsule” | |
| A Concise Encyclopedia by Women Artists (New York, 1995) pp. 340-341 | |
| Judith Colliscan Van Wargner, Lines of Vision | |
| Drawings by Contemporary Women (New York: Hudson Hill Edition, 1989) p.142 | |
| José Gómez Sicre, Art of Cuba in Exile | |
| Gladys Triana, essay (Miami: M.C. Printer Edition, 1987) pp.165-166. | |
| Art Fairs | |
| 2008 | |
| Photo Miami, NW 31st Street and North Miami Avenue, Dec 3 - 9, at hardcore art contemporary Space. Booth No 114 | |
| pinta 08, Metropolitan Building in New York Nov 12-16, at hardcore art contemporary Booth 20. | SCOPE, Art Basel, Basel Switzerland, June 4-9, hardcore art contemporary space, Booth No 205 | FIA-CARACAS. Feria Iberoamericana de Arte, Hotel Tamanaco, Caracas, Venezuela | Arte Americas ,The Latin American Art Fair, Convention Center, March 28-31 at Signature Gallery, Booth 505, Miami, FL | CIRCA 08, Puerto Rico, Convention Center, April 11- 14, at hardcore Art Contemporary Space, Miami, Booth D4, Puerto Rico |
| 2007 | |
| Photo Miami, NW 31st Street and North Miami Avenue, at hardcore art contemporary Space. Booth No 113 | |
| Pinta 07, Metropolitan Building, at hardcore art contemporary space, Booth no 33, New York. | |
| Buenos Aires Photo 2007, hardcore art contemporary space, Miami, at Buenos Aires, Argentina | |
| 1992 | |
| Miami Art-92, Convention Center, Gary Nader Gallery, Miami, Florida | |
| Educational Projects | |
| 1987-1999 | |
| Created and Implemented, “Children Expressions Mural Program” at the Community School Board District #32. | |
| 1990-1999 | |
| Created and Implemented, “BACA, Bilingual Art Program” at the Community,School District #32 | |
| Film credits background | |
| 1975 | |
| “The Lie”, Roberto Fandiño, film director. Included the painting Illumination in the credits background. Madrid, Spain. | |
| Awards & Fellowships | |
| 2003 | |
| II Encuentro Con Cuba En La Distancia, Reconocimiento por su exposición “Confluencias”, Ayuntamiento de Cádiz, Escudo de la Ciudad de Cádiz. | |
| 1993 | |
| The Oscar B. Cintas Fellows Foundation. International Institute of Education. New York. | |
| 1990 | |
| The Queens Borough President of the City of New York, Outstanding Achievement in Visual Art. Queens, New York | |
| Masters and Apprentices Exhibit, Special Mention. The New York City Board of Education. Brooklyn, New York. | |
| 1975 | |
| International Panamerican Exhibition, Honorary Mention, Museum of Science and Industry, Chicago,Illinois. | |
| 1974 | |
| National Clairol Loving Care Art Program, Educational Scholarship, Washington. | |
| 1964 | |
| Ateneo de Marianao., Art Competition: 3rd Prize. Havana, Cuba. | |
| Jury/ Panel Member | |
| 2007 | |
| Panel Member, Cuban American in Focus a conference on Photography, Kean University, Auditorium, CAS, Union City, New Jersey | |
| 2004 | |
| Panel Member, Diana Alvarez, Lecture Presentation, Gladys Triana her Journey, reviewing with the artist, Columbia University, Department of Hispanic Literature by CCC at New York | |
| 2003 | |
| Panel Member, Haz de Incitaciones: poetas y pintores, Miami Book Fair, Internacional, Miami Dade Collage, Wolfson Campus, Downtown, Miami, FL. 4/11/2003 | |
| Panel Member, Haz de Incitaciones: poetas y pintores, I, “II Encuentro Internacional sobre Creación y Exilio, Con Cuba en la Distancia” Facultad de Filosofia y Letras, Universidad de España, Cádiz, 20/5/03 | |
| 2001 | |
| Panel Member, Movimiento y Fragmentation: testimonio de una artista exilada, “I Encuentro Internacional sobre Creación y Exilio, Con Cuba el Distancia” Facultad de Filosofia y Letras, Universidad de España, Cádiz, 7/11/01 | |
| 2000 | |
| Panel Member, Alter Cuba: Cuban Contemporary Artists, at American Society, New York | |
| 1999 | |
| Panel Member, First Latino American Conference, at Ollantay Gallery, Queens,New York | |
| 1979 | |
| Member of the Screening Committee, AHA/CETA Artist Program, NY | |
| Private & Public Collections | |
| The Oscar B. Cintas Fellows Collection at the Art Museum, Miami, Fla. | |
| ASU-Art, Museum of Fine Art at Arizona State University, Arizona | |
| Museum of Arts, Fort Lauderdale, Fla. | |
| Museo de Bellas Artes, Habana, Cuba | |
| Museo de Bellas Artes, Santiago de Chile, Chile | |
| Museo de la Ciudad, Querétaro, México | |
| The Bronx Museum of the Arts, Bronx, New York | |
| Museo de Arte Moderno, Santo Domingo, República Dominicana | |
| Housatonic Museum, Bridgeport, Connecticut | |
| Centro Cultural Tijuana, CECUT, Tijuana, México | |
| Instituto de Cultura Puertorriquena, San Juan, Puerto Rico | |
| Museo Bacardi at the Universidad de Miami, Miami, Florida | |
| Luag Permanent Collection, Lehigh University, Bethlehem, Pennsylvania | |
| Luag Latin-American Artist/Photographers Collection, Lehigh University | |
| Queens College Collection, Queens, New York | |
| Asian American Art Center, New York | |
| Arnold Ashkenazy Collection, Los Angeles. CA | |
| Augusta Barreda Collection, Lima, Peru | |
| Robert Blackburn Workshop Collection, New York | |
| Georgina Codina Collection, Miami, Fla. | |
| Fundación Hispano Cubana Collection, Madrid, España | |
| Fatima El Alami Collection, Paris, France | |
| Alan Hamburger Collection, Brussels | |
| Ing. Joseph R. Gil-Berlinches, P.E., New York | |
| Jack Kubilium Collection, New York | |
| Romeo Montalvo Jr Collection, Austin, Texas | |
| Francisco Mestre Collection, Miami, Fla. | |
| Pedro Monga & Perla Capriles Collection, Caracas, Venezuela | |
| Jorge Moya Collection, New York | |
| Federico de Montalvo, Madrid, Spain | |
| Ulla & Greger Olsson Collection, Malmo, Sweden | |
| Rogelio Pereda Miranda Collection, México D. F., México | |
| Alain Tergny Collection, Paris, France | |